posted by
owlfish at 06:08pm on 15/06/2008 under moving experiences
Throughout high school, my job was working as a monitor at the education branch of the Art Center, Des Moines' art museum (and quite a good one too, at least for its modern art collection). Each semester, I was assigned to two particular classes, to help the instructor with setting up, cleaning up, operating dangerous equipment for the young'uns (i.e. hot glue guns), modeling for the drawing classes, and generally being useful.
As a result, I've done quite a bit of work with paint. All kinds of paint. Cleaning up after acrylic paints was my favorite. The large dollops of leftover vivid colors apply smoothly and evenly over hands, perfect for experimenting with alternative skin colors. (I was particularly fond of turquoise and lilac.) I've rubbed hundreds and hundreds of brushes clear of oil paint, pouring out the turpentine into heavy containers for safe disposal. I've masked the edges of innumerable pieces of paper and canvas for painting. I've painted in dollops and washes, water and oil.
So that's what I know about paint.
Now what else do I need to know in order to do a good job painting the walls of a room?
P.S. I'm equipped with roller, tray, brushes, ladder, newspaper, extra-wide masking tape, and know what color of paint to buy. I'll be doing two coats. We've already tried out samplers on the wall. The light fixtures, hooks, and blinds are off the wall. I'll work around the sockets. My biggest worry is that I have no idea how to make brushwork blend in with rollerwork.
As a result, I've done quite a bit of work with paint. All kinds of paint. Cleaning up after acrylic paints was my favorite. The large dollops of leftover vivid colors apply smoothly and evenly over hands, perfect for experimenting with alternative skin colors. (I was particularly fond of turquoise and lilac.) I've rubbed hundreds and hundreds of brushes clear of oil paint, pouring out the turpentine into heavy containers for safe disposal. I've masked the edges of innumerable pieces of paper and canvas for painting. I've painted in dollops and washes, water and oil.
So that's what I know about paint.
Now what else do I need to know in order to do a good job painting the walls of a room?
P.S. I'm equipped with roller, tray, brushes, ladder, newspaper, extra-wide masking tape, and know what color of paint to buy. I'll be doing two coats. We've already tried out samplers on the wall. The light fixtures, hooks, and blinds are off the wall. I'll work around the sockets. My biggest worry is that I have no idea how to make brushwork blend in with rollerwork.
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then: seal the walls with a paint/PVA mixture
finally: paint one or two white basecoats then as many colour coats as you want.
dont worry too much about brush/roller blending, it should be ok once it's dried.
edit: if you want a hand, one weekend, please say so! painting is my favourite DIY :)
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If we ever paint anything over a weekend, I will! This ended up being a necessary rush job. It's only the one room, and C. isn't even available to help with it. I'm hoping that allowed one day per coat is plenty. Tuesday for grading. Thursday for furniture delivery.
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my house was papered, so that all had to come off first :)
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dont forget pitures bfore and after please!
sorry typuing with icre cream in hand,..
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Will post pictures. Do you ever have dripped ice cream problems over warm keyboards?
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Paint with undercoat.
Let it dry and then sand it again.
Paint with undercoat
Let it dry and sand gently.
Paint with top coat.
Let it dry and sand gently.
Paint with top coat again.
NB This gives a really professional effect if you're painting on top of plaster or existing paint. Painting on top of wallpaper requires a different approach.
NB2 Don't paint over acrylic/plasticised wallpaper.
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I understand the importance of undercoat and its usefulness. What usefulness does all the sanding provide?
I presume that B&Q/Homebase/etc. can provide advice on efficient sanding methods, rather than small pieces of sanding paper and a whole lot of time.
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I always used to just put a single coat on and then touch it up, but my mother had her house professionally painted by an old-style decorator and this was the regime he followed. So I tried it out myself and it does give a very... deep is the only way I can describe it, effect. It does, however, take a lot of time.
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If the colour on the wall is significantly darker than the colour you're painting it, I'd advise using a primer/undercoat, simply because it will save you paint. Primer is cheaper than topcoat, which means that if you could get away with doing only one coat on top of primer rather than two coats of topcoat, you will almost certainly save money, and primer can help paint adhere better. However, some colours (very light ones) will essentially always require two coats, so unless the old colour is very dark a primer is probably not absolutely necessary.
Always cut in around the sockets/outlets first. You don't even need to turn off the electricity to do so - just pull off the socket/outlet cover and paint around it with a paintbrush. This makes roller-ing the walls a LOT faster. Do NOT cut in after you roll, or you will make that cut-in pattern OVER the rollered section and you'll notice it on the finished wall. In other words, you'd end up with little rectangular paint patterns around all your outlets and light switches, whereas if you cut in first, the roller eliminates the rectangular pattern so that it all blends in, if that makes sense.
My father is a builder and I've never, ever seen him do as much sanding as
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It's also worth considering using a paintbrush rather than a roller on trim. Some people like the look of brushed rather than rolled trim - the paintbrush generally adds more texture, which gives a nice look on trim.
And, in case you didn't already know, do NOT use matte finishes on bathrooms/kitchens. They might LOOK nice, but you'll be sorry if you ever need to wipe them down! Semi-gloss really is much better than matte in situations where you have moisture because it's much easier to clean.
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I think I can get away with two coats of topcoat. The color I'm covering is a relatively light yellow. I'm covering it in a much lighter pale green, but based on putting on two layers of sample paint, it should cover up pretty effectively in two. Also, based on the sample layers, the existing paint should be protecting any plaster wicking that might occur.
This is a bedroom, so we should be able to get away with matte on it. Good to know for wet spaces though. We're certainly going to be repainting the kitchen at some point in the next few months. (Possibly the bathroom too, now that C. pulled the towel rail out of the wall by accident.)
I won't be painting the ceiling or the trim. The paint in that room is in good shape. I just don't like the main wall color. Everything else is a tasteful white so - as long as I don't drip on it - shouldn't need repainting.
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Perhaps it's different in plastered houses (ie, plaster on brick) but I still don't think that sanding would be necessary if the plaster was smooth and in good shape. Maybe if you were painting a brand new plastered job (in which case I'd definitely use primer first anyway) but in the situation you're in, I think just painting on two coats of the colour you want should be fine.
Just be sure to tape well around that trim and keep a damp cloth handy in case you drip anything. As long as you wipe any drips while the paint is still wet, it'll come up nicely with a damp cloth.
Matte in bedrooms and other not-high-use areas is perfect and, in my opinion, does look nicer than semi-gloss :) I just remember all the nicks we made in our matte kitchen/hall/bathroom in Manchester, where they hadn't used the high-gloss (or multiple coats of paint, for that matter!).
Before and after photos, please!
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Also, he said that in terms of washing the wall, you need to do that in places like kitchens, where the walls can be greasy. If you only sand over that, the paint won't stick well - wash, then sand and paint. Again, this is only necessary if the wall is dirty or, as in a kitchen, has grease/oil on it that builds up over time.
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I'll have my camera with me to document it all!
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I'd just go with a long-handled roller, though, or, better yet, one with a telescoping arm like we use. My sister and I are short and it works great - if you have really high ceilings, though, bamboo canes might be a good stand-in if your roller handles weren't long enough!
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Craig would also recommend removing the switchplate covers and covering the outlets/switches with painter's tape. It's not a huge deal, but removing the switchplate covers is a good idea if you think you'll ever want to install different ones.
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Thank you for the advice!
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If you're doing ceilings, do them first.
Otherwise, mask along the joins to avoid going over.
If you can remove your fixtures, plate covers, etc, do so and get that bit of painting down. Cut in from all the joins and edges with a smallish brush or edging tool 4-6", then roller. I hate using extensions, because I have not so much upper body strength, and I also like the control of the shorter handle. BUT -- lately, I've used paint pads for almost everything. I LOVE them. Much more control over the amount of paint and coverage.
Don't forget drop cloths!!
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I'm fascinated by the verb so many helpful people are using, "cut in" for "paint around the edges of". I wonder why that's the verb that came to mean this?
Having just gone away to read up on what paint pads are, they look interesting and good for achieving a brushstroke-free finish.
I presumed the pre-existing paint was oil-based. I'll be painting with oil, I think, with the windows wide open. Thank you for all the advice!
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I don't know, but my first guess is that it comes from wallpapering, where one does cleverly cut holes in the paper to get a snug fit around the fittings. With the same end result in view - a neat look around the fittings - it's a short step to using an established phrase to apply to a different process with a different medium.
But as I say, I'm guessing.
Also, what everyone else said. I sand woodwork - anything glossed, basically - before repainting, and anywhere I've had to make good on the wall, but not regular paintwork.
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Plus, y'know, what other people have said. :-)