owlfish: (Default)
Add MemoryShare This Entry
posted by [personal profile] owlfish at 11:28pm on 11/01/2008 under
I was wavering. The musical closes tomorrow in London (and will then go on tour around the UK). [livejournal.com profile] vschanoes told me I should go, when I asked her, and so I did. And I'm glad I did. (It's been a long time since I saw the movie, and even longer since I read the book, so I can't really compare very well.)

I loved the costuming. (Especially Mary's three marvellous, vividly-colored coats.) I loved the scenery. (The full house on stage, with a third story that lowers to the floor whenever there are scenes in the children's bedroom.) I loved the use of silhouette in group sequences. The rooftops dance sequence were well done. The singing was solid. I loved how tidy the plot was, with all small mentions of things having a payoff of some sort.

Things which were slightly less satisfying: No birds in the "Feed the Bird" sequence, when there were several other birds featured elsewhere in the musical. How slightly arbitrary the setting of "Supercalifragilisticexpialidocious" seemed, if entertaining. I was bothered that the son handed his father a telescope to examine it closer after he thought he'd seen a shooting star. (That's one slow shooting star.)

What I really loved more than anything else, however, was how perfect the evil nanny of Mr. Banks' childhood was. She was fabulous - strong, confident, good singer, good song and perfectly mundanely evil. I was only sorry her presence in the musical didn't last longer.
There are 8 comments on this entry. (Reply.)
 
posted by [identity profile] daisho.livejournal.com at 12:37am on 12/01/2008
Brimestone and treacle! :)

I also thought the wirework was excellent -- among the best I've seen, really.
owlfish: (Default)
posted by [personal profile] owlfish at 01:44pm on 12/01/2008
Yes! I didn't get to see where Mary Poppins disappeared to at the end, though, since she rather rapidly vanished over the balconies which were over my head. (And using it for the kites too - while entirely obvious - meant the wirework wasn't reserved just for people.)
owlfish: (Default)
posted by [personal profile] owlfish at 05:38pm on 12/01/2008
Likely wirework and truly wonderful: Mary sliding up the railing!
 
posted by [identity profile] vschanoes.livejournal.com at 04:05am on 12/01/2008
OK, I've gotta assume that whoever's playing Bert now could replicate the terpsichorean feats of the fellow playing Bert when I went to see it, because surely otherwise you would have mentioned that he tap dances upside-down! Like, actually hitches himself to some kind of platform, walks slowly up the wing to the ceiling where he tap dances while upside down
owlfish: (Default)
posted by [personal profile] owlfish at 01:43pm on 12/01/2008
Yes he did! And it was amazing!

I blame fatigue for managing to forget to mention one of the most amazing moments in the whole show. (Although I felt fairly neutrally otherwise about the dance sequence it was in the middle of. I loved the poised freeze of its finish, and I loved Bert's upsidedown tap dance. Otherwise - maybe I just don't appreciate tap as much as I could?)
 
posted by [identity profile] vschanoes.livejournal.com at 04:45am on 15/01/2008
Well, I have a particular fondness for tap, and I thought the sequence was kind of breathtaking, but I am a completely unknowledgeable fan, so maybe it wasn't.
 
posted by [identity profile] vschanoes.livejournal.com at 04:06am on 12/01/2008
"could not," I mean. "Could not."

Damn. Derrida may have been on to something about the negation always telegraphing consent, because I always make that typo.
 
posted by [identity profile] a-d-medievalist.livejournal.com at 04:20pm on 13/01/2008
You know, this post actually intruded on my dreams the other night -- you, Mary Poppins, and the theatre were all there.

October

SunMonTueWedThuFriSat
1
 
2
 
3
 
4
 
5
 
6
 
7
 
8
 
9
 
10 11
 
12
 
13
 
14
 
15
 
16
 
17
 
18
 
19
 
20
 
21
 
22
 
23
 
24
 
25
 
26
 
27
 
28
 
29
 
30
 
31