My initial methodology when I set out to survey the subgenre of Science Fiction Romance was an arbitrary one. I did later ask for additional suggestions from
fjm (more on that in the next post), and a handful of people at Novacon. Also, I would very happily take recommendations from any of you reading this on the subject.
Sunrise Alley, Catherine Asaro. I had no idea pulp novels were still being written. Two very pretty, strong, healthy, talented people run away from danger and away from danger and away from danger. He is a mutating cyborg, she is a genius scientist. Together they save the world. The evil villain has a secret lair in the Himalayas. Characterizations were shallow and I didn't feel there was all that much chemistry between the two main characters, but it was still entertaining and action-filled. The resolution of the romance would have been more satisfying if I'd bonded more with the characters in the first place. Still - pulp novels! Still being written! (The author was also recommended by the people at Novacon.)
Your Planet or Mine?, Susan Grant. The main characters fall madly in love at the very beginning, and then must wait a few chapters to grow up and meet each other again. Then they can set off on zany hijinks to save the world! Energetic people with some serious science fictional problems, but only superficial romantic ones. Mostly, they live in a shiny happy sphere of delight. The plot's pretty cliché too, but it was still mostly fun.
The Silver Spoon, Stacey Klemstein. The science fiction story has a fair amount of potential and may go more places in the sequel(s). In this book, however, the main characters only seem to fall for each other since they'd been forced to dream about each other all their lives. Equally, I wasn't convinced that the bad guy necessary was. The melancholy ending seemed irresolute. Story flow seemed occasionally awkward. My feeling was that the author was inexperienced, and might do better things in later books.
* Or perhaps that should be Science Fiction Romance. It was the subgenre of the two meeting halfway I inteded to explore when I set out on this project. For more on subgenre distinctions, see here and here. (Thanks to input from here!)
Sunrise Alley, Catherine Asaro. I had no idea pulp novels were still being written. Two very pretty, strong, healthy, talented people run away from danger and away from danger and away from danger. He is a mutating cyborg, she is a genius scientist. Together they save the world. The evil villain has a secret lair in the Himalayas. Characterizations were shallow and I didn't feel there was all that much chemistry between the two main characters, but it was still entertaining and action-filled. The resolution of the romance would have been more satisfying if I'd bonded more with the characters in the first place. Still - pulp novels! Still being written! (The author was also recommended by the people at Novacon.)
Your Planet or Mine?, Susan Grant. The main characters fall madly in love at the very beginning, and then must wait a few chapters to grow up and meet each other again. Then they can set off on zany hijinks to save the world! Energetic people with some serious science fictional problems, but only superficial romantic ones. Mostly, they live in a shiny happy sphere of delight. The plot's pretty cliché too, but it was still mostly fun.
The Silver Spoon, Stacey Klemstein. The science fiction story has a fair amount of potential and may go more places in the sequel(s). In this book, however, the main characters only seem to fall for each other since they'd been forced to dream about each other all their lives. Equally, I wasn't convinced that the bad guy necessary was. The melancholy ending seemed irresolute. Story flow seemed occasionally awkward. My feeling was that the author was inexperienced, and might do better things in later books.
* Or perhaps that should be Science Fiction Romance. It was the subgenre of the two meeting halfway I inteded to explore when I set out on this project. For more on subgenre distinctions, see here and here. (Thanks to input from here!)
(no subject)
(no subject)
(no subject)
(no subject)
I assume you're already familiar with Lois McMaster Bujold's Shards of Honor and Komarr?
(no subject)
Thank you for the other recommendations.
(no subject)
The series varies in its focus - some are much more action-adventure, some are more sociopolitical, some are romantic comedy almost straight down the line. I'd recommend reading them in order, and am entirely happy to lend you copies if you wish.
I had been considering commenting on your last post to recommend those, but didn't have the time to read through and see if they'd already been mentioned.
(no subject)
Variations on the SF/R theme
The key to RSF is the R (romance) is the smallest plot part and an HEA is NOT required.
Readers get the yips--IMHO--when they read a fut or an SFR expecting RSF or SF. It's rather like (as I emailed you earlier) reading a cozy and expecting a police procedural. Mystery readers seem to handle their subgenres (and expectations of same) just fine. I can enjoy a gritty Wambaugh as much as I enjoy a Lillian Jackson Braun "Cat Who...". SF readers appear to have a more difficult time with the variations on RSF/SFR/Futs. I don't know why--unless it's the fact that there ARE differences is still not public knowledge.
OK, here it comes: THERE ARE DIFFERENCES. ::wide evil grin:: The same mind-set you use when going into an ice cream shop and know that mocha java chip is not going to taste exactly like chocolate which isn't going to taste exactly like espresso fudge...well, you need to bring that discerning ability the bookshelves. Cozies are not police procedurals. Futs ain't RSF. There are plenty of flavors out there for everybody and hey! books ain't fattening. Now isn't that a joy? :-) ~Linnea - www.linneasinclair.com
Re: Variations on the SF/R theme
Re: Variations on the SF/R theme
Re: Variations on the SF/R theme
Re: Variations on the SF/R theme
Re: Variations on the SF/R theme
Re: Variations on the SF/R theme
(no subject)
(no subject)
(no subject)
Connie Willis also has a full-blown sf romance series written with a collaborator, Cynthia Felice. I think there are three or four, of which the best are
Light Raid and Promised Land. Light Raid is distinguished by being the only sf novel that I have ever read set in Victoria, B.C. The Empress Hotel gets blown up or attacked by laser beams or something, which is something a Victoria resident might be guiltily pleased about.
(no subject)
(no subject)
(no subject)
(no subject)
I got my start on Piers Anthony and there are some heavy romance aspects. Aprentice Adept comes to mind, particularly with the cross species love triangle. By the end of the series though, it just becomes an experiment in cross-breeding.
(no subject)
Piers Anthony never sketched out convincing relationships - they always seem like parodies. That said, I have residual fond memories of the Incarnations of Immortality series (I have such a weakness for personifications), and might reread those too.