This woodcut is pasted up as a grafitto, something which Swoon often does in various contexts. (See, for example, her work for this summer's Philagrafika.) I hadn't heard of her before today, but some of what I've now seen of her work is quite engaging, particularly for her use of the physical contexts in which the pieces are pasted.
This woodcut is pasted up as a grafitto, something which Swoon often does in various contexts. (See, for example, her work for this summer's Philagrafika.) I hadn't heard of her before today, but some of what I've now seen of her work is quite engaging, particularly for her use of the physical contexts in which the pieces are pasted.
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Not signed, but I took
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The campiello del remer really is a lovely one! We caught the light of sunset under the Rialto from the dock there.
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